Threading ancient land-forms together

Alvena Hall, ‘Funisia lace vessel’, Photo: Michel Kluvanek

A new textile exhibition Contemplating an Archean Land opens next Sunday 7 October at Prospect Gallery, and features the work of Ines Parker and Alvena Hall. 

Alvena Hall, a lace expert who recently was a finalist in the Love Lace 2011 exhibition at the Powerhouse Museum, Sydney and also this years Waterhouse Natural History Art Prize, works explore the geological record of when the great continents formed. Inspired by the Ediacara Hills in the northern Flinders Ranges, her pieces also look into the deep ices ages, erosion of the ancient sea pavements and the ongoing discovery of fossils in the area today.

Ines Parker, ‘No. 3 Karlwe Karlwe series’, woven tapestry: wool, cotton, silk, 59 x 28cm.

Ines Parker's inspiration is drawn from the Devils Marbles in Northern Territory, whilst the artist was camping in the area. According to the local Warumungu indigenous Australians, the huge rounded stones are eggs laid during the Dreamtime by the Rainbow Serpent. The works emphasize the mystical presence of land formations, which transform throughout different times of the day. 

"The collection of artwork produced, including wall pieces in traditional quilt format, 

complex cloth with elaborated surfaces, smaller panels, and sculptured lace, takes on the notion that time is a kind of filter and it selects only certain biota, under very special conditions to become fossils. That they are ever found at all is even more remarkable." - Prospect Gallery, 2012

Tea–bag trail by Susan Long

Contemporary textile art quilts are big news at the moment. This one, titled 'Tea-bag Trail' features tea dyeing, shibori and running stitch, based on the design concept of a journey by road map, through an Australian 

outback landscape. 

It was accepted for entry to Dare to Differ 2011, a contemporary quilt exhibition curated by the Quilters Guild of SA. Dare to 

Differ 2011, was open to all quilt makers resident in Australia. It was a juried selection. 

My design evolved, whilst experimenting with natural tea- dyeing and a shibori technique. I folded and tied with string, small packages of bleached calico that resembled tea-bags. In the tea dyeing process, some of the tea ran into the folds of the calico forming a grid-like pattern. 

This grid-pattern created the structure of a map. After laying out the tea-dyed calico and lining up the grid-pattern, I patched and pieced it together by hand, sewing through two layers with invisible stitches. Stitching through two or more layers of predominantly fibre was an entry requirement, to comply with the structure of a quilt. With a 2B pencil, I hand drew an imaginary section of an Australian outback road map, directly onto the calico. Strong diagonal and curving lines criss-cross my quilt landscape, adding perspective. The earthy and tonal colour variations of the tea dyeing, combined with the shibori, grid patterning and string resist, determined my colour palette: mono-chromatic (tones of warm and cool browns). 

DMC brand embroidery stranded and perle cotton threads were used throughout, along with running stitch for its strong mark making qualities. Other stitches included back stitch, stem stitch and couched thread. To complete the design, I added a focal point: a place where the eyes can rest before moving around the design. I embroidered a circle in stem stitch in the lower left hand side of the quilt. This was my focal point. The circle references a place or location situated on a map. The road map layer links journey and travel through an outback Australian landscape to destination Adelaide, South Australia.

For a visual artist (not a quilt maker), I felt a sense of achievement that my quilt, 'Tea-bag Trail' which began its journey based on experiments with natural tea dyeing and shibori and journey by map, was accepted for Dare to Differ, 2011, contemporary quilt exhibition. The exhibition ran from 30 September - 23 October, 2011, held at Gallery M Cultural Centre.

Susan Long graduated in 2009 with a (Bachelor of Visual Arts and Design) from Adelaide College of the Arts, Adelaide, S.A. This article was published in Embellish Magazine Issue No. 9. Her next exhibition 'House Special', mixed media works by Red House Group Inc. members, opened on 28 September at Gallery M, Marion Cultural Centre and runs until 21 October.

To the Surface

Local Adelaide emerging artist Meg Cowell returns with her latest exhibition To the Surface featuring large-scale images of women's couture, wedding dresses and under-garments in various stages of transformation. 

After exhibiting her previous body of work Sanctum at Prospect Gallery and Brunswick Street Gallery in Melbourne last year, Cowell draws our attention to discarded feminine garments and gives them new life by reviving them into beautiful and sensual objects.

“During this period a transitory world emerges, a kind-of biological metamorphosis,” she says. “The garments become diaphanous and beautiful, highlighting their mystery”.

Highly evocative, these images initially call upon a sense of humour, for those who have walked the city streets in the early hours of the morning have stumbled across remnants of another's late night antics. However, when submerged underwater the works summon a darkness and uncertainity, forcing the viewer to wonder what may have occurred and how did these intimate garments end up plucked in trees, road-sides and public-toilet waste-bins.

To the Surface is showing at AP Bond Gallery, 2 Ann Street Stepney from June 21- July 8. For more information visit the gallery and artists' websites.

Craftsouth :: Residencies Artist Talk

 

Lisa Farrant, Almond and Marginata, 2010, Artroom5

Have you ever thought about removing yourself from your regular activities, your place of comfort and experiencing another corner of the country to get inspired. How about applying for one of the many arts residencies across Australia or even overseas?

Not sure what its all about, then head along to Craftsouth's Residencies Artist Talk to learn the benefits, opportunities and creative growth experiences of undertaking a residency from Adrian Potter who undertook a residency at Canberra School of Art and Lesa Farrant who has completed a residency at Soda Studios in North Fremantle, WA.

This Tuesday 24 April at 6pm, at Craftsouth office Level 1, 38 Hindley Street. Craftsouth members get in for free and for non-members only $15 | RSVP is essential and for further information contact Craftsouth on (08) 8410 1822 or email craftsouth@craftsouth.org.au.

And to find out where you might be able to attend an arts residency in your discipline visit ResArtis.org

Carclew Youth Arts turns 40

Reason for Being :: The Daily Disused

In the age of global concerns enduring natural resources, an interesting exhibition coming up in May is Reason for Being at Prospect Gallery. Curator Irmina van Niele has selected seven local artists Fern Hudson, Ann Newmarch, Youngsoon Jin, Cathy Brooks, Katie Harten, Judith Carletti and Christopher Sprod to reconsider the waste of the human daily life. 

Artists have long acquired the ability to be able to look at someone's 'junk' and recycle found materials and objects into artworks, but it can be more difficult for others who will buy something new over repairing it. The artists want visitors, and what we all should consider ‘what does one keep, what for and for how long?’ and 'why waste?'  

Reason for Being opens on Sunday 6 May 3pm at Prospect Gallery

Contextart FORUM 14–20 April

Only a week until TAFTA's Contextart Forum in the Blue Mountains. Offering both 2 day and 4 day workshops with 29 tutors across a variety of textile techniques including papermaking, basketry, felting, shibori and dyeing, artists' books and even woven jewellery it is incredible opportunity for those wanting to add a wide range of skills to their practice. For the full list of workshops and their teachers, visit the forum website.

The Artists' Roadmap to Success

Part of the reason for establishing Red Thread Collective was for emerging artists to be able to connect and share knowledge in order to further establish their careers as professional artists. There is a whole other level to being an artist aside from making the work. A new book has been launched by Katharine T. Carter & Associates 'Accelerating the Curves' is a roadmap for artists to have an endurable and successful career. Constructed in three varying levels of development, Stage One, Two and Three, the publication offers practical guides and examples to develop a workable plan and give artists the courage necessary to get to where they want to head. Whilst the book is slightly on the pricey side ($95) it is well worth the investment for those seriously considering a career in art. Visit this website for an in-depth introduction written by Katherine T. Carter who has had over 25 years experience working with artists to achieve their goals and purpose.

http://www.ktcassoc.com/roadmap/roadmap_intro.html

To market, to market Red Thread goes...

Come see us this weekend Saturday 10 December 10am - 2pm at the Box Factory Community Christmas Market where members Luka Va, Jane Lang and Kara Growden will be selling their beautiful handmade wares including cards, wrapping paper, ornaments and lots more to get in the chrissie spirit. Plenty of things to do including workshops, local entertainment and food. 59 Regent Street South, Adelaide

Scribbles + Glitter Beginnings | Amanda McCavour

Toronto-based artist, Amanda McCavour, creates incredibly detailed and tonal drawings by sewing onto a dissolvable fabric, leaving the threads vulnerable and left to hang for themselves, and effectively subtly distorting the imagery in her works. 

Recreating more literal representations of the objects within McCavour's surrounds include Living Room and StandIn for Home whilst more organic and repetitive shapes can be found in installations Icebox and Scribble.

Amanda McCavour graduated from York University with a Bachelor of Fine Arts in Visual Arts. She has participated in a number of solo and group exhibitions in Toronto, and is currently an artist in residence in the Harboufront Centre's Studio.

Cut. Slice. Fold. | Emma van Leest workshop

For those of you in Melbourne, or heading over next weekend Paper Convention Collective presents workshop by the one and only Emma van Leest as part of Cut. Slice. Fold.  programme on Saturday 19 November. 

This workshop will enable you to learn the skills of Paper-Cutting techniques which is currently pushing contemporary creative expression to new frontiers. Emma has exhibited widely and was recently featured on ABC TV’s Art Nation and in the publication Paper cutting: contemporary artists, timeless craft by Laura Heyenga & Rob Ryan.

Make sure you don't miss out and book your place 'here' tickets are $80 for the 3 hour session, all you need to bring is a stanley knife/scalpel, with papers kindly donated by K.W.Doggett Fine Papers.


For more on her practice and images of her work visit her website

The Great Tablecloth | Red Poles Gallery, McLaren Vale

The Great Tablecloth

29 October 2012 - 1 January 2012

Red Poles Gallery, McLaren Vale

Opening: Saturday 29 October 3pm

Features Red Thread member and feature artist Cheryl Hutchens and also good friend and mentor Irmina van Niele plus a number of artists working in jewellery, painting, mixed media, glass and ceramic... should be a hoot!

How does your Arts Career grow?

How Does your Arts Career Grow? free public forum

Monday 31 October 2011 | 6:30-9:30pm

Space Theatre, Adelaide Festival Centre

An exclusive opportunity to take part in a panel discussion with some of Adelaide’s most progressive and proactive arts professionals. Contribute and share your thoughts on what it takes to start, grow and sustain a career in the modern day arts industry. Whether your passion lies with performing, publicity, marketing or even law, bring your fresh ideas and tough questions for an evening of thorough discussion and forward thinking.

Panel includes: Christie Anthoney (Facilitator), Creative Director, TAFE SA AC Arts; Annette Tripodi, Operations and Program Manager, WOMADelaide; Brigid Noone, Independent Artist & Curator; Edwin Kemp Attrill, Artistic Director, University of Adelaide Theatre Guild and Ianto Ware, Project Manager, Renew Adelaide

How Does Your Arts Career Grow? is presented by Adelaide Festival Centre and Carclew Youth Arts and is a free event, however online registration is essential. To secure your seat and for more information, visit www.adelaidefestivalcentre.com.au/theartsgrowthwww.adelaidefestivalcentre.com.au/theartsgrowth

Exhibitions | Dare to Differ & Ernabella Arts

Spring has definitely sprung and October has many wonderful exhibitions, artist talks and workshops to offer. Dare to Differ at Gallery M is a celebration of contemporary quilts curated by the Quilters Guild of South Australia and features Red Thread member Susan Long. Head along to the exhibition floor talk "What is an Art Quilt?" on Sunday 16 October 2pm, which looks at the quilts on display as well as hearing from Suzanne Gummow on what makes a good quilt. Cost is FREE however bookings are essential 8377 2904 and for more details visit the Gallery M website

Image: June Brown, rust on cotton

SA Museum will present an exhibition of new works from Ernabella Arts, Australia's oldest Indigenous arts centre, acknowledging its long history but with sights firmly set on the future. Opening from 14 October - 13 November, the museum will run storytelling and basket making workshops which can be booked through the Education Team 8207 7429 for more info visit the SA Museum website

LOVE LACE | Tsunami by Janet Echelman

How wonderful is it to see that the age-old technique of lace is being celebrated in today’s art world in the Love Lace exhibition at the Powerhouse Museum, Sydney. 134 artists from 20 countries unleash their passion for lace in this spectacular exhibition of winning entries and finalists in the Museum’s International Lace Award.

The exhibition ranges from bold large-scale installations and sculptures to intricate textiles and jewellery. Materials include gold and silver wire, linen and silk as well as mulberry paper, tapa cloth, horse hair, titanium and optical fibre.

One artist who demonstrates how a traditional technique can be transformed into contemporary art is the 24 metre wide lace work titled Tsunami by Janet Echelman (USA) that will be installed 13 metres above George Street at the Sydney Town Hall from  23 September to 23 October.

Tsunami was inspired and gets its name from the events that unfolded following the 2010 Chile earthquake. Echelman was motivated by the 1.26 micro second shortening of that day on February 27, which resulted from the earthquake’s redistribution of the Earth’s mass.

‘By meditating on these epiphenomena, the work underscores the interdependence of Earth systems and the global community.  It asks the viewer to pause and consider the larger fabric of which they are a part,” said Janet Echelman.


For more information and images on all the works in the exhibition visit the Love Lace website.

Feature Artist: Rachel Penn (UK)

Get ready for one of most in-depth feature artist post Red Thread has ever had. Rachel Penn contacted us after moving recently to Adelaide after graduating from the Chelsea School of Art Textile Design program and I couldn't wait to share her practice with the Adelaide community and our readers to gain an insight into her unique and striking pieces. Read on...

Tell us about yourself, how would you describe your work? I think I would best describe myself as an all rounder. Although I have predominantly focused on knit and crochet for the last few years I would still consider myself a mixed media textile designer, I love to get involved and experiment with all processes and materials, exploring the true potential of fabric design. I especially have a passion for niche, constructed and very detailed textiles that have a strong focus on concept, following them through into bespoke or editorial fashion, jewellery and interior pieces. I find it particularly uplifting seeing my design work through to end, from drawings and samples, to the finalised collection. 

Who or what inspires you as a textile designer? The inspiration behind my previous projects has always varied depending on the brief given. I like my design ideas to follow a strong narrative, taking inspiration either from the diverse patterns and constructive qualities of architecture to the organic forms and structures in nature. I particularly love to explore different cultures and the diverse aspects of life within them, looking at historical craft techniques and the art associated with individual countries. I also believe that drawing, painting and taking photos are extremely important parts of the design process when it comes to developing your ideas and gaining inspiration about a subject. 

What materials do you like to work with? My list of favourite materials to work with is always changing depending on the project at hand, however I have focused alot on knit and crochet the past couple of years. Having very little prior knowledge of the craft, with its heavily traditional connotations, I felt it gave me the opportunity to explore the potential within a constructive process, finding new ways to use yarn as a basis for mixed media, structural design. I love to experiment between the contrast in hard and soft materials, which I focused on in my final degree show project.

What did you most enjoy about the Textile Design program at Chelsea College of Art? I believe that the best thing about my Textile Design degree at Chelsea was the opportunity to meet like minded, creative individuals. I loved working in the studios amongst my peers, immersing myself in contemporary design 24/7. Also the fact that I was based in London was a huge bonus as it fed my enthusiasm for knowledge and inspiration, something that has brought me to Australia with a desire to see and experience more worldwide.

Is textiles highly regarded as a medium in contemporary visual arts culture? Textiles has the ability to connect us to our past through the tradition of the craft. It can create social identity, bring together communities and represent culture, and this is something that I as a designer try to represent in my textiles through hand crafted techniques used in a contemporary style. It is important to bring textiles into the present contemporary visual arts culture as it is way to connect to the individual using nostalgia.

What are your favourite 5 art related websites or blogs? Well I would say that my favourite website and blogs depend on what I am researching at the time. Previously when in London, I always used to look at the big museum websites such as the V&A, Tate and Somerset House, for inspirational artists and designers or for current exhibitions. I love looking through blogs as you never know what someone else has discovered such as an art piece, fashion designer or illustrator, that could inspire your own work. 

How do you think living in Australia, will influence your designs? As a designer I feel that is extremely important, especially if your given the opportunity, to stimulate your senses and to see as much as possible. After living in london for 4 years I was ready to experience something new, a different environment and culture to inspire me, and when my Family up and moved to Australia, it presented me with this opportunity to begin my discoveries. Im hoping that being here will enable me to explore another side of the world that I have not yet had the pleasure of seeing, immersing myself in the art, community and place.

Red Thread Collective looks forward to meeting Rachel at the next meeting on Wednesday 21 September, but for now check out her website and blog to see more of her amazing works. 

Looking for Contemporary Textile Artists...

Recently I have been noticing a large volume of viewers of the Red Thread blog are searching for Contemporary Textile Artists. It’s fantastic to see there are so many people interested into the modern interpretations of traditional textile crafts but where can you find sources of artists for a medium that could be seen as an aged sideline in the contemporary visual arts culture? Answer: Below I have featured three titles that I have come across, each listing an amazing array of contemporary textile artists for you all to check out…

By Hand: The Use of Craft in Contemporary Art

In a response to the sleek forms and perfect angles of most late twentieth century design objects, many of today's artists and designers are returning to handmade work such as hand lettering, hand drawing, and hand sewing. From books to pillows to T-shirts to toys, the pieces in this volume define an alternative view of contemporary design. Artists include Kirsten Hassenfeld, Victoria May, Kent Henricksen, Aya Kakeda, Dave Cole, Margarita Cabrera and Kelly Breslin.

Slash: Paper under the Knife

Published to accompany a traveling exhibit opening at the Museum of Arts and Design in New York, Slash: Paper Under the Knife examines the resurgence of traditional handcraft materials and techniques in contemporary art and design. Highlighting the work of forty-five international artists, among them Noriko Ambe, Ben Cowd, Dylan Graham, Oliver Herring, Georgia Russell, Olafur Eliasson, Tom Friedman, William Kentridge, and Kara Walker, the book features not only cut but also burned, torn, laser-cut, shredded and sculpted paper art.

Contemporary Textiles: The Fabric of Fine Art

This book is a stunning and comprehensive look at emerging artists from one of the most exciting mediums in the fine art world today that profiles some of the most daring and innovative examples of textiles in fine art. Artists include Matthew Barney, Maria Pineres, Jennifer Angus, Elaine Reichek, Jessica Rankin, Rosemarie Trockel, Yinka Shonibare, Tilleke Schwarz, Cosima von Bonin, Ghada Amer, Annette Messager, Mike Kelley, and Christo and Jeanne Claude.

Enjoy J

Red Thread SALA Walk | 20 August

It's SALA Festival time again! And what better way to visit the fantastic variety of SA artists than with your fellow red threaders.

Join us on Saturday 20 August 11am | Meet at The Three River fountain on Victoria Square for a day of exploring our local talent and share our love of art. Some of the exhibitions so far include visiting Central Studios, Grote St, along King William and Pirie Street to Wish List 2011, Craftsouth and strolling through Adelaide Arcade to visit the Art Gallery of SA and Flinders University City Gallery as well as many others. Visit each of the links for exhibition information.

If you could please register your interest, by emailing k.growden@live.com or posting below.

Download the map and itinerary here and make sure to share with friends, and also bring a small amount of money for coffees and cakes along the way.

SALA Festival runs from 5 - 28 August and the full guide can be viewed on their website.

 

Image: Stephanie Radok, We speak your language, 2010 | solo exhibition at Flinders University City Gallery

Crochet + Social Activism Unite

The Hyperbolic Crochet Coral Reef - "Ladies Silurian Atoll" (detail). 

Photo © The Institute For Figuring (by Margaret Wertheim)

When I conjure up images of one of Australia's great wonders of the world, the Great Barrier Reef, I picture an explosion of colour in the most electric hues. Whilst I haven't been lucky enough to visit the colossal reef system stretching for over 2,600kms, I am afraid I will be disappointed with what I would see. Scientists now believe with the affects of global warming, the reef will become devastated in coming years. Now you may be wondering if Red Thread has turned into a group to analyse the natural world and its many manifestations. Wrong! In 2005, sisters Margaret and Christine Wertheim created the worldwide Hyperbolic Crochet Coral Reef Project to pay homage to the threat of devastation to this fragile monster. Initially beginning in their humble living room and gradually expanding throughout their house, today their are crochet communities or 'satellites' popping up in Chicago, New York, London to Dublin and Capetown. Now the Royal Institution of Australia (RiAus) is calling for South Australian craftspeople to join in and create your own hyperbolic model which marries handicraft with mathematics, marine biology, social activism and community art on a global scale. To see the many worldwide contributions to the projects visit RiAus and get inspired and get on board.